Haydee Dabusti------------------ Sitio Oficial

2010 Teatro Pucrs , Brasil

Haydee Dabusti created an excellent Aida, dramatically rich and sang with full knowledge of Verdi's score demands.

Her voice was perfect, on target, with a precise tune, showed no fissures, and a completely even register. Her rendering of the 3rd . act aria "O patria mia..." was received with an ovation by the appreciative and enthusiastic audience. She was the fragile, fearful and suffering slave Verdi imagined.

Dabusti's constant growth and improvement --in all aspects-- are the result of her constant, persistent dedication to her art. And it shows.

By Claudio Olate Velazquez

2010 Teatro El Circulo de Rosario

Magnificent Lyrics,along with the talent of a supreme soprano.

Haydee Dabusti offered a brilliant performance at "El Circulo"

By Santos Cantoni. Newspaper " La Capital".Rosario. Buenos Aires.

2010 Nabucco, Teatro Lola Membrives

Nabucco an advisable show. "The soprano Haydée Dabusti returned to achieve a creation of a difficult role, which is turning into her registered trademark. She made it through the parts of the score that go from the sharp side to the very low notes without any difficulty, always showing a perfect musicality. And so she crowned the cabaletta "I go out with magnificent sharp sound.
By Doctor Alberto Leal.Operaintheworld

Nabucco's vibrating version. "Dabusti Haydee, who played Abigail, displaying her beautiful color and brilliant high register voice. All notes were attacked with precision, even when the score carries her from sharpest to the lowest notes of it and presents many difficulties that the soprano raffled on the strength of her technique, musicianship and unwavering stylistic virtues."
By Graciela Morgenstern. Music Critics Association of Aregentina

2010 Gran Gala del Repertorio Italiano

Dabusti sang giving her best and embroidering her interpretations with her dramatical act, which has been one of her best performances lately. Referring to the vocals, she showed a fine Legato, clear diction, a warm middle range, and some sharp notes.
Prof. Christian Lauria

2010 Great Lyric Gala in Mar del Plata

The soprano Haydée Dabusti was splendid in all her interpretations. With an excellent wealth of voice, with a marvellous sonority with clean and broad acutes, becaming one of the superlative exponent that the successive lyric seasons of Mar del Plata gave us. It would be ideal that she return not just for a recital but for a complete opera of her vast repertoire.
By Jorge Novarino

2010 Private Gala

The Dabusti soprano have pleased me a lot! She has a wide wealth/flow of voice, for strength roles particulary, in Nabucco she has been splendid.

Regina Puppo

2009 I Due Foscari. Teatro Coliseo.

I due Foscari showed outstanding lyric art. With grate performances, Colon Theatre is presenting the last opera of its annual program.

By Juan Cralos Montero. La Nacion.

2009 Il Trovatore. Teatro Municipal de Bahía Blanca.

Verdi was sung with passion at Teatro Municipal de Bahía Blanca. The performance of the soprano Haydee Dabusti was up to this artistic responsability. Her tints, a voice without fissures, scenic presence and a meticolous study of the role made Dabusti achieve an outstanding performance.

By Silvio Valenzuela

Music Professor

2009 Il Trovatore.Teatro Argentino de La Plata.

Trovatore with enough dramatic conviction
"The performance of Haydée Dabusti (Leonora) emphasized the emotions of the chacacter. An intense and correct Trovatore, in which she showed with her harmonic voice the differet expressions of Verdi ´s melodies. Her excellent legato, without fissures, had high efficiency and emoting expressive moments along the whole opera".

By Héctor Coda

Diario La Nación

2008 Sinfonica Nacional ´s concert at Bolsa de Comercio de Buenos Aires. Musical Conductor: Master Reinaldo E. Censabella

It was very interesting to hear soprano Haydée Dabusti in roles that she doesn ´t sing usually. She should face more frecuently these kind of roles (Butterfly and Mimi), that allow her to work best the delicateness and expression of her voice. Butterfly was specially emotive in the aria "Tu, tu piccolo iddio".

There ´s no doubt that Dabusti ´s participation in this concert showed that she have not to sing only the usual roles of force, she is a multifaceted soprano and she is able to afford different opera characters.

By Luis Baietti- Uruguay

Finally, the true Puccini Concert

The participation of Haydée Dabusti deserves special words. It ´s not frecuently to see all the improvements that this soprano had achieved along the same year. She is working hard: pianissimos, grave notes and delicateness that years ago were unthoughtable. I think she deserves to sing both roles, Butterfly and Mimi. I expect these opportunities will come soon.

By Donato Decina, Operayre Radio FM. Cultura Musical

2008 Gala lírica Benéfica VI en el Auditorio de Belgrano
Musical Conductor Master Mario Perusso

The VI Beneficence Lyric Conert took place in Auditorio Belgrano and gathered.

One more time, art and solidarity

The main artist of the night was the soprano HaAydée Dabusti, who interpreted a solid Norma. Recently, she came bach from Chile, where she gave a concert with very good critics.

She showed an equal voice along the whole register and rich appropriate shades. Her "Deh, non volerli vittine" was exemplary, such as her "Qual cor tradisti".
By Christian Lauría www.cantolirico.com

2008 Lyric Concert at Teatro Municipal de Viña del Mar –Chile
"Dr. Luis Sigall" International Chant Contest

"An art lesson"

The interesting career of Haydée Dabusti deserves all praises. She is an exemplary artist in constant self-improvement. Nowadays, she is the continental reference in the art of interpretation. She is a spinto soprano with an outstanding colour of voice (with metalallic characteristics). She is able to sing repertory of lyric sopranos and spinto sopranos as well as some dramatic compositions.

In her concert, she offered a varied repertory and showed great fortitudes. She coud express the dramatic character of the arias with genuine art of singing.

Jaime Torres Gómez, November, 2008
El Mercurio newspaper Valparaíso

Viña surrendered to Haydée Dabusti ´s voice.

The public gave great ovations to the "Best Feminine Singer of Angentine" (2007), a prize that Dabusti received in her country from the Asociación de Críticos Musicales. She sang magisterially opera arias of Mozart, Cilea, Boito, Charpentier, Catalani, Bellini, Verdi, Puccini and Giordano

Corporación Cultural de Viña del Mar

Excellent opening of "Dr. Luis Sigall" International Chant Contest.

Haydée Dabusti presented an exhausting program and showed her knowledges of different styles and a solid vocal technique. The best moment of the concert was the aria "Tu che le vanità" (Don Carlo, Verdi), in which we could apreciate all the expressive skills of her voice.

The concert finished with " La mamma morta" (Andrea Chénier, Giordano), an aria with highest sensitivity.

Silvio Olate Valenzuela , Music Teacher, Universidad Federico Santa María de Valparaiso,Conservatorios de Viña del Mar y Limache

2008 Teatro Municipal Rafael de Aguiar - Manon Lescaut

"Celebration of the centenary"
The soprano Haydée Dabusti achieves a moment of great emotion when she sings the aria "In quelle trine" and obtains the deep silence of the theatre. Her "Sola perduta abbandonata" bristles the skin.
By Ruben Sisterna
Diario "El Norte", San Nicolás.

2008 Opera de Rosario - Teatro El Círculo- Norma

The best Norma that we can see in Argentina ´s opera scene.
The soprano Haydee Dabusti sang one of the most demanding roles of the opera. Her performance was marvellous. In fact, she is a local opera star.
Dabusti has strong high notes and manage a pecfect bel canto ´s technique. The most famous aria, "Casta Diva", was sung with an introspective and contusive line. Definitively, the Norma of Haydee Dabusti is the best that we can hear nowadays in Argentina.By Santos Cantoni, Especial/Escenario ,Diario La Capital -Rosario- Argentina.

"For me, there ´s no doubt that Haydée Dabusti is the best spinto soprano nowadays in Argentina. She sang a marvellous Norma last year. Because of her beautiful voice, exactly tuning, stronger high notes, skills to tint and an equal voice along the whole register, she is the perfect singer for this role. But the most important fact in Rosario ´s version was her improvements as an actress, this aspect had been a weak point in the past. Her Norma had the dignity of a priestess from the beginning to the final of the opera. Despite the vocal requirements of the role, she always maintain her strong dramatic impression. Her `Casta Diva´ was the kind of moments that remains in our ears for a long time. She performed an exemplary Norma, that is up to the best theatres around the world." By Dr. Alberto Leal (Especial Journalist in Rosario) from www.cantolirico.com -Spain

2008 Teatro Argentino - Tosca

"Up to this moment, there ´s no spinto soprano in Argentina with Dabusti ´s voice. She showed it performing the main roles of operas such as Aida, Norma, Nabucco, Andrea Chénier and Gioconda.
This Tosca is a new proof. Few sopranos can manage this role without singing almost an awful sound. Dabusti sang the whole notes with great security, even the highest and demanding ones (usually shouted) in her duo with Scarpia and the last act of the opera ("lo quella lama li piantai nel cor"). She sang with unlimited musicality, passion and an increasing control of the stage. Actually, it ´s evident her improvements in this respect." By Luis Baietti -Uruguay

2007 Bahía Blanca - Teatro Municipal -Tosca

Tosca - Bahia Blanca
“Newly, Haydee Dabusti has showed her ability to study a demanding title role and completed her beautiful voice exhibiting an amazing self assurance along the whole performance.” Enrique Boland, “La Nueva Provincia” newspaper.

2007Nabucco (concert vesion) Lyric Concert Auditorio de Belgrano

“The soprano Haydee Dabusti (Abigaille), who doesn ´t avoid any heavy title role (this year, she sang Norma at Argentine Theatre of La Plata and La Gioconda at Roma Theatre), has a smooth voice specially expressive in the central notes. Moreover, she managed her voice with an underlined assurance and resolved difficult musical intervals exemplary.” Carlos Ernesto Ure, “La Prensa” newspaper.

2007 Teatro Roma - Avellaneda - La Gioconda

“As usual, Haydee Dabusti sang with a beautiful and equal sound, musicality, an excellent vocal technique and training high-pitched notes. In this opportunity, she also showed a sweet and corpulence voice in her low register and interpreted a marvelous Suicide.” Alberto Leal, “Canto Lírico.com” ´s correspondent.

2007 Teatro Auditorium, Mar del Plata - Tosca

“With her clear voice and acting skills, Haydee Dabusti made an unforgettable performance.” Virginia Ceratto, “El Atlántico” newspaper.

2007 Teatro Argentino - Norma de Vincenzo Bellini

“An excellent version of Norma at Argentine Theatre of La Plata. Few singers can perform this role with the assurance and the equal beautiful voice that Haydee Dabusti showed on stage.”
Alberto Leal, “Canto Lírico.com” ´s correspondent

2007 Fundamus -Teatro Avenida - Aida

“The soprano Haydee Dabusti is the best singer of the cast performing the title role of Aida.”
Federico Monjeau, “Clarín” newspaper.

2006 Auditorio de Belgrano- IV Beneficence Lyric Concert

“A good voice. Haydee Dabusti ´s performance was outstanding. She showed a notable improvement and exhibited a beautiful and corpulence voice that she managed with expression an ductility.” Carlos Ernesto Ure, “La Prensa” newspaper.

2006 Asociación "Bel Canto" Gala Lírica Lima, Perú

“Haydee Dabusti is a soprano with an expressive and loud voice that shows a training vocal technique.” Sebastián Castañeda, “El Comercio”, Lima´s newspaper.

2006 Teatro Municipal de Bahia Blanca
........."Aida" de Giusepe Verdi

“A wonderful Aida. The setting of the opera was amazing.” Adrián Fortunati, “La nueva provincia”, newspaper.

2006 Teatro Argentino
........."Andrea Chénier" de Umberto Giordano

“With personality and musicality, the soprano Haydee Dabusti fulfilled an outstanding performance. She showed her training high-pitched notes and an expressive interpretation of the aria La mamma morta.” Juan Carlos Montero, “La Nación”, newspaper.