• 2011 Norma
    Teatro Municipal de Bahia Blanca
    Opera Norma, V. Bellini
Her performance of today became a real hit of the region, since nobody
there could ever hear a  local  soprano being good enough to face the
serious difficulties of he part, just as Dabusti have done, showing a high
label of maturity, as we could specially realize in the second act (DORMONO
ENTRAMBI) when her acting reached moments of great intensity.
In fact a great interpretation that we all should enjoy, which  I hope
will be soon presented in Buennos Aires, and why not? also in Montevideo
by Luis Baietti-Uruguay 

 
  • 2011 Fedra
    Teatro Colón

"Soprano Haydee Dabusti contributed with her recognized experience and brilliant vocal skills to the interpretation of a "Nanny" of considerable depth and quality, not only because of her natural on-stage presence but also for the aplomb with which she confronted the complexity of each passage that she sang."
                                By Juan Carlos Montero. "La Nación"


 
 
  • 2011 Recital Verdi Puccini
    Gala Privada
 

Regarding the August 13th gala, it was excellent and its highest point  was Verdi's first area,
"Tu che le vanita", where soprano Haydee Dabusti as well as Maestra Cardonnet offered a class in musical perfection. Dabusti's voice also resulted in superb renditions of all remaining Verdi's areas, as well as those of Puccini. Since I was seated very close to Ms Dabusti, I also noticed that her breathing was barely noticeable, which reminded me of Ms Dabusti's teacher Professor Teresa Serrantes. Together with the singers and the public, I was not able to resist the tears flowing from my eyes.
Congratulations are due Ms Dabusti.
Oscar R.Thompson 

 

 
  • 2011 Requiem de Verdi
    Rosario 2011

 A FEAST SINPHONIC/CHORAL VERDI REQUIEM

Haydee Dabusti an always charming presence in Rosario,
in this occasion proved her clones, good Verdian style,
as result of patient study and carefulness; she is a singer
that constantly look for perfection , correct use of
volume and colour, regarding the dramma.

 
 
  • 2011 Il Tabarro "Giorgetta"
    Teatro Colón 2011
 

Haydée Dabusti had his first and deserved leading role at the Colón, doing a musically sung Giorgetta, with a good color and a voice that projected without problems. His portrayal showed the broken dreams of this unhappy woman and his terrible end with his dead lover, with a full understanding of the rol's dramatic richness. The audience gave her a well-deserved ovation and we also applaud her: bravo! - Prof. Christian Lauria
by Prof. Christian Lauria.

Our Haydée Dabusti, making an unfairly delayed first appearance at the Colón and singing with beautiful timbre, fine line and convincing acting.
By Pablo Bardin.

 
  • 2011 ¨I Due Foscari¨, Teatro Roma
 
Concert Foscari 
Haydée Dabusti showed again that in this sort of dramatic verdi part she has the right style, the no-holds-barred attack and the technical ability such as the part of Lucrezia Contarini needs.


By Pablo Bardin - Buenos Aires Herald

Ottima interpretazione in concerto de “I due Foscari” al Teatro Roma.
Haydée Dabusti completa il terzetto principale con la stessa resa vocale e ottenendo l'ovazione più importante della serata. Anche se il soprano è adusa a ruoli temibili come Abigaille o Gioconda, qui ha potuto mettere in mostra tutte le sue qualità e resistenza vocale.
 In una parte di grande difficoltà nel settore acuto, con passaggi di rapida coloratura e grandi esigenze drammatiche, risolve tutto senza difficoltà di sorta, con impeccabile linea di canto, un ottimo uso della mezza voce e acuti perfetti di eccellente volume. Un'altra prestazione da ricordare. - Dott. Alberto Leal
www.operaintheworld.com
2010|2009| 2008| 2007 | 2006 | 2005| 2004 | 2003| 2002 anteriores



©/2011,HAYDEE DABUSTI