Haydee Dabusti------------------ Sitio Oficial

Last Performances

2008 Teatro Municipal Rafael de Aguiar - Manon Lescaut

"Celebration of the centenary"
The soprano Haydée Dabusti achieves a moment of great emotion when she sings the aria "In quelle trine" and obtains the deep silence of the theatre. Her "Sola perduta abbandonata" bristles the skin.
By Ruben Sisterna
Diario "El Norte", San Nicolás.

2008 Opera de Rosario - Teatro El Círculo- Norma

The best Norma that we can see in Argentina ´s opera scene.
The soprano Haydee Dabusti sang one of the most demanding roles of the opera. Her performance was marvellous. In fact, she is a local opera star.
Dabusti has strong high notes and manage a pecfect bel canto ´s technique. The most famous aria, "Casta Diva", was sung with an introspective and contusive line. Definitively, the Norma of Haydee Dabusti is the best that we can hear nowadays in Argentina.By Santos Cantoni, Especial/Escenario ,Diario La Capital -Rosario- Argentina.

"For me, there ´s no doubt that Haydée Dabusti is the best spinto soprano nowadays in Argentina. She sang a marvellous Norma last year. Because of her beautiful voice, exactly tuning, stronger high notes, skills to tint and an equal voice along the whole register, she is the perfect singer for this role. But the most important fact in Rosario ´s version was her improvements as an actress, this aspect had been a weak point in the past. Her Norma had the dignity of a priestess from the beginning to the final of the opera. Despite the vocal requirements of the role, she always maintain her strong dramatic impression. Her `Casta Diva´ was the kind of moments that remains in our ears for a long time. She performed an exemplary Norma, that is up to the best theatres around the world." By Dr. Alberto Leal (Especial Journalist in Rosario) from www.cantolirico.com -Spain

2008 Teatro Argentino - Tosca

"Up to this moment, there ´s no spinto soprano in Argentina with Dabusti ´s voice. She showed it performing the main roles of operas such as Aida, Norma, Nabucco, Andrea Chénier and Gioconda.
This Tosca is a new proof. Few sopranos can manage this role without singing almost an awful sound. Dabusti sang the whole notes with great security, even the highest and demanding ones (usually shouted) in her duo with Scarpia and the last act of the opera ("lo quella lama li piantai nel cor"). She sang with unlimited musicality, passion and an increasing control of the stage. Actually, it ´s evident her improvements in this respect." By Luis Baietti -Uruguay

2007 Bahía Blanca - Teatro Municipal -Tosca

Tosca - Bahia Blanca
“Newly, Haydee Dabusti has showed her ability to study a demanding title role and completed her beautiful voice exhibiting an amazing self assurance along the whole performance.” Enrique Boland, “La Nueva Provincia” newspaper.

2007 Nabucco (concert vesion) Lyric Concert Auditorio de Belgrano

“The soprano Haydee Dabusti (Abigaille), who doesn ´t avoid any heavy title role (this year, she sang Norma at Argentine Theatre of La Plata and La Gioconda at Roma Theatre), has a smooth voice specially expressive in the central notes. Moreover, she managed her voice with an underlined assurance and resolved difficult musical intervals exemplary.” Carlos Ernesto Ure, “La Prensa” newspaper.

2007 Teatro Roma - Avellaneda - La Gioconda

“As usual, Haydee Dabusti sang with a beautiful and equal sound, musicality, an excellent vocal technique and training high-pitched notes. In this opportunity, she also showed a sweet and corpulence voice in her low register and interpreted a marvelous Suicide.” Alberto Leal, “Canto Lírico.com” ´s correspondent.

2007 Teatro Auditorium, Mar del Plata - Tosca

“With her clear voice and acting skills, Haydee Dabusti made an unforgettable performance.” Virginia Ceratto, “El Atlántico” newspaper.

2007 Teatro Argentino - Norma de Vincenzo Bellini

“An excellent version of Norma at Argentine Theatre of La Plata. Few singers can perform this role with the assurance and the equal beautiful voice that Haydee Dabusti showed on stage.”
Alberto Leal, “Canto Lírico.com” ´s correspondent

2007 Fundamus -Teatro Avenida - Aida

“The soprano Haydee Dabusti is the best singer of the cast performing the title role of Aida.”
Federico Monjeau, “Clarín” newspaper.

2006 Auditorio de Belgrano- IV Beneficence Lyric Concert

“A good voice. Haydee Dabusti ´s performance was outstanding. She showed a notable improvement and exhibited a beautiful and corpulence voice that she managed with expression an ductility.” Carlos Ernesto Ure, “La Prensa” newspaper.

2006 Asociación "Bel Canto" Gala Lírica Lima, Perú

“Haydee Dabusti is a soprano with an expressive and loud voice that shows a training vocal technique.” Sebastián Castañeda, “El Comercio”, Lima´s newspaper.

2006 Teatro Municipal de Bahia Blanca
........."Aida" de Giusepe Verdi

“A wonderful Aida. The setting of the opera was amazing.” Adrián Fortunati, “La nueva provincia”, newspaper.

2006 Teatro Argentino
........."Andrea Chénier" de Umberto Giordano

“With personality and musicality, the soprano Haydee Dabusti fulfilled an outstanding performance. She showed her training high-pitched notes and an expressive interpretation of the aria La mamma morta.” Juan Carlos Montero, “La Nación”, newspaper.